Cecil B. DeMille

Cecil B. DeMille
from the trailer for The Greatest Show on Earth (1952)
Born	Cecil Blount DeMille August 12, 1881(1881-08-12) Ashfield, Massachusetts, United States
Died	January 21, 1959(1959-01-21) (aged 77) Hollywood, Los Angeles, California, United States
Occupation	Producer, director, editor, screenwriter and actor
Years active	1913–1959
Spouse	Constance Adams (1902–1959)
Partner	Jeanie Macpherson Julia Faye

Cecil Blount DeMille (August 12, 1881 – January 21, 1959) was a legendary American film director and Academy Award-winning film producer in both silent and sound films.^[1] He was renowned for the flamboyance and showmanship of his movies. Among his best-known films are The Ten Commandments (1956), Cleopatra (1934), and The Greatest Show on Earth (1952), which won the Academy Award for Best Picture.

Early life

DeMille was born in Ashfield, Massachusetts while his parents were vacationing there and grew up in Washington, North Carolina. While he is known as DeMille (his nom d'oeuvre), his family name was Dutch and is usually spelt Demil.^[2] His father, Henry Churchill DeMille (1853–1893), was a North Carolina-born dramatist and lay reader in the Episcopal Church. His mother, Matilda Beatrice (Samuel) DeMille (1853–1923), was born in England to a Sephardic Jewish family but converted to her husband's faith. DeMille attended Pennsylvania Military College in Chester, Pennsylvania from the age of 15. He had an elder brother, William, and a sister Agnes, who died in childhood. Cecil DeMille's famous niece was named for her. After Henry DeMille's death at age 40, Cecil's mother, Beatrice, ran a well-known boarding school for girls in Pompton Lakes, New Jersey. Henry, a playwright, was an administrator and faculty member during the early years of The American Academy of Dramatic Arts, established in New York City in 1884. He is credited with providing its name, and both Cecil (Class of 1900) and William (Class of 1901) graduated from The Academy which they attended on scholarship. The Academy honored Cecil with an Alumni Achievement Award.

Broadway

DeMille began his career as an actor on the Broadway stage in the theatrical company of Charles Frohman in 1900. His brother William was already establishing himself as a playwright and sometimes worked in collaboration with Cecil. DeMille co-starred with some of the men and women whom he would later direct in films (i.e. Charlotte Walker, Mary Pickford, and Pedro de Cordoba, among others). DeMille also served as producer and/or director for many plays. Some of these plays were later adapted into silent and sound films. Cecil and his brother occasionally worked with David Belasco. Belasco was legendary for the way he lit his stage scenes, as well as creating a lurid atmosphere. In 1911, Belasco premiered a play titled The Return of Peter Grimm. DeMille claimed he wrote the play and that Belasco had plagiarized DeMille's work without compensation. DeMille later adopted many of Belasco's stage lighting and atmospheric techniques in such films as The Cheat, a move some saw as revenge against Belasco.

Motion pictures

Cecil B. DeMille directing

DeMille entered films in 1913. He directed dozens of silent films, including Paramount Pictures' first production, The Squaw Man (1914), which was co-directed by Oscar Apfel, before coming into huge popularity during the late 1910s and early 1920s, when he reached the apex of his popularity with such films as Don't Change Your Husband (1919), The Ten Commandments (1923), and The King of Kings (1927). A few of his silent films featured scenes in two-color Technicolor.

Cecil B. DeMille had a keen eye for talent and was known for being an instrumental catalyst for the rising status of many a struggling or unknown actor. Actor Richard Dix's best-remembered early role was in the silent version of DeMille's The Ten Commandments. Richard Cromwell owed his 1930s movie fame in part to being personally selected by DeMille for the role as the leader of the youth gang in DeMille's poignant, now cult-favorite, This Day and Age (1933). To ensure that Cromwell's character used current slang, DeMille asked Horace Hahn to read the script and comment (at the time, Hahn was senior class president at Los Angeles High School).^[3]

DeMille displayed a loyalty to certain supporting performers, casting them repeatedly in his pictures. They included Henry Wilcoxon, Julia Faye, Joseph Schildkraut, Ian Keith, Charles Bickford, Theodore Roberts, Akim Tamiroff and William Boyd. He also cast leading actors such as Claudette Colbert, Gloria Swanson, Gary Cooper, Jetta Goudal, Robert Preston, Paulette Goddard and Charlton Heston in multiple pictures. He was not known as a particularly good director of actors, often hiring actors whom he relied on to develop their own characters and act accordingly.

DeMille had a reputation for tyrannical behavior on the set, and he despised actors who were unwilling to take physical risks. Such was the case with Victor Mature in Samson and Delilah, when Mature refused to wrestle the lion, though the lion was tame and toothless. (DeMille remarked that Mature was "100% yellow"). Paulette Goddard's refusal to risk personal injury in a scene involving fire in Unconquered cost her DeMille's favor and probably a role in The Greatest Show on Earth. DeMille was, however, adept at directing "thousands of extras," and many of his pictures included spectacular set pieces, such as the parting of the Red Sea in both versions of The Ten Commandments, the toppling of the pagan temple in Samson and Delilah, train wrecks in The Road to Yesterday, Union Pacific and The Greatest Show on Earth, and the destruction of a zeppelin in Madame Satan.

DeMille was one of the first directors in Hollywood to become a celebrity in his own right. From 1936 to 1944, DeMille hosted and acted as pitchman for Cecil B. DeMille's Lux Radio Theater, a popular dramatic radio show of the time. Gloria Swanson immortalized DeMille with the oft-repeated line, "All right, Mr. DeMille, I'm ready for my close-up" in Billy Wilder's Sunset Boulevard, wherein DeMille played himself. DeMille also appeared as himself in Paramount's 1947 all-star musical comedy Variety Girl and he narrated many of his later films, as well as appearing on screen in the introduction to The Ten Commandments.

DeMille first used three-strip Technicolor in Northwest Mounted Police (1940). Following the favorable response to the vivid color photography, shot partly on location in the Canadian Rockies, DeMille decided to always use Technicolor in his films.

While he continued to be prolific throughout the 1930s and 1940s, he is probably best known for his 1956 film The Ten Commandments (which is very different from his 1923 film of the same title). Also representative of his penchant for the spectacular was the 1952 production of The Greatest Show on Earth which gave DeMille an Oscar for best picture and a nomination for best director.

In 1949 or 1950, DeMille was recruited by Allen Dulles and Frank Wisner to serve on the board of the National Committee for a Free Europe, the public face of the organization that oversaw the Radio Free Europe service.^[4] In 1954, Secretary of the Air Force Harold E. Talbott sought out DeMille for help in designing the cadet uniforms at the newly established United States Air Force Academy. DeMille's designs—most notably his design of the distinctive cadet parade uniform—won praise from Air Force and Academy leadership, were ultimately adopted, and are worn by cadets today.^[5]

Near the end of his life, DeMille began pre-production work on a film biography of Robert Baden-Powell, 1st Baron Baden-Powell, the founder of the Scout Movement and had asked David Niven to star in the film, which was never made. Because of illness, he asked his son-in-law, actor Anthony Quinn, to direct a remake of his 1938 film The Buccaneer; although DeMille served as executive producer, he was unhappy with Quinn's work and tried unsuccessfully to remedy the situation. Despite a cast led by Charlton Heston and Yul Brynner and some impressive battle scenes, the film was considered a disappointment by many.

Though DeMille was respected by his peers, his individual films were often criticized by them. "Directorially, I think his pictures were the most horrible things I've ever seen in my life," said director William Wellman. "But he put on pictures that made a fortune. In that respect, he was better than any of us."^[6]

Personal life and death

DeMille's tomb at Hollywood Forever Cemetery

DeMille married Constance Adams on August 16, 1902 and had one child, Cecilia. The couple adopted Katherine Lester in the early 1920s; her father had been killed in World War I and her mother had died of tuberculosis. Katherine married Anthony Quinn. They also adopted two sons, John and Richard, the latter of whom became a notable filmmaker, author, and psychologist.

During on-location filming in Egypt of the Exodus sequence for 1956's The Ten Commandments, the then 73 year-old DeMille climbed a 107-foot ladder to the top of the massive Per Rameses set and suffered a near-fatal heart attack. Aided by his daughter Cecilia, but against his doctor's orders, he was back directing the film within a week.

He died from heart failure in January 1959 and was entombed in Hollywood Memorial Cemetery (now known as Hollywood Forever Cemetery). At the time of his death, he was planning to direct a movie about space travel.

Legacy and honor

A majority of the DeMille motion picture library now resides with EMKA, Ltd. through the television division of NBC Universal, due to Paramount Pictures' losing the rights to the DeMille films in 1958 to EMKA, so technically it is Universal Pictures that now oversees a vast part of DeMille's motion picture career as well as its related archival material. Samson and Delilah, although pre-1950, has been retained by Paramount, as is all the DeMille/Paramount silent films produced before 1928, and all sound films produced after 1950—television distribution for those films is handled by Trifecta Entertainment & Media.

The former film building at Chapman University in Orange, California is named in honor of DeMille. The Lawrence and Kristina Dodge College of Film and Media Arts now resides in Marion Knotts Studios.

The Golden Globe's annual Cecil B. DeMille Award recognizes lifetime achievement in the film industry.

There is a Middle school named after him, Cecil B. DeMille Middle school, in Long Beach, California.

Filmography (as director)

Filmography (appearing as himself)

• Felix in Hollywood (1923)
• Hollywood (1923)
• Jens Månsson i Amerika (1947)
• Variety Girl (1947)
• Sunset Boulevard (1950)
• The Fallbrook Story (short subject) (1951)
• Son of Paleface (1952)

See also

• List of directors

References

Notes

External links

• Cecil B. DeMille at the Internet Movie Database
• Bibliography of books and articles about Demille via UC Berkeley Media Resources Center
• Cecil B. DeMille at the TCM Movie Database
• Cecil B. DeMille at the Internet Broadway Database
• Obituary, NY Times, January 22, 1959, Cecil De Mille, 77, Pioneer of Movies, Dead in Hollywood
• Costs and Grosses for the Early Films of Cecil B. DeMille essay with detailed financial breakdowns by David Pierce
• Official Cecil B. DeMille Site
• DeMille Studio Museum also known as the Lasky-DeMille Barn run by Hollywood Heritage.
• Cecil B. DeMille at Find a Grave
• DeMille celebrates his last birthday with Mary Pickford and Bob Hope and cake & sword 1958
• Bibliography
• DeMille page at Corbis